What is The 400 Blows about?
For young Parisian boy Antoine Doinel (Jean-Pierre Léaud), life is one difficult situation after another. Surrounded by inconsiderate adults, including his neglectful parents (Claire Maurier, Albert Remy), Antoine spends his days with his best friend, Rene (Patrick Auffray), trying to plan for a better life. When one of their schemes goes awry, Antoine ends up in trouble with the law, leading to even more conflicts with unsympathetic authority figures.The 400 Blows / Film synopsis
When did The 400 Blows come out?
November 16, 1959 (USA)The 400 Blows / Release date
Why does 400 Blows end with a freeze frame?
If you ask me why Butch Cassidy and the Sundance Kid (1969) ends with a freeze frame, it’s because of 400 Blows (1959). It’s an audacious thing to do because one of the contracts between an audience and a director (and the other people who make the film) is resolution.
How many Antoine Doinel movies are there?
Out now on DVD & Blu-ray. The groundbreaking French New Wave director François Truffaut delivers an indisputable landmark of cinema history – five films, four features and one short, which follow the life of one charming, compelling and unforgettable character.
What is the message of 400 blows?
Going to the themes of “The 400 Blows”, there’s friendship, family, education and childhood that can be found in this film. Furthermore, the central themes that are to be found in this film are escapism, mischief, discipline, injustice and disobedience or noncompliance.
How did The 400 Blows end?
33: “The 400 Blows ends with the boy escaping from reform school, running toward the sea, and when he reaches the water, a freeze-frame of his face expresses uncertainty.”
When did 400 Blows come out?
How was The 400 Blows revolutionary?
A revolutionary French classic about breaking rules, which broke the rules of filmmaking. “The 400 Blows”, or its original French title, “Les Quatre Cents Coups”, burst on the screen carrying a new approach to filmmaking and storytelling, breaking many of the conventional rules of cinema.